Let's dive into the captivating world of Emily Eerdmans, a design historian and interior designer who has crafted a unique live-work space in the heart of New York City's West Village. Her gallery, a hidden gem for years, has now emerged with a bold new identity, attracting a stream of curious patrons. But it's more than just a gallery; it's a testament to Eerdmans' vision and a masterclass in transforming unusual spaces into artistic havens.
The Evolution of a Design Laboratory
Eerdmans' journey began during the early days of the COVID-19 pandemic, when she and her husband, Andrew McKeon, made a bold move from Brooklyn Heights to a suite of rooms above their expanding storefront. It was a leap of faith, but for Eerdmans, it felt like destiny, especially given her expertise in design icons like Madeleine Castaing and Henri Samuel, both of whom worked from home.
Decorating with Intent and Imagination
One of the most intriguing aspects of Eerdmans' space is her approach to decorating. Take the entrance, for instance. With its lofty yet windowless nature and three different flooring types, it could have been a challenging space. But Eerdmans embraced the darkness, commissioning vibrant murals inspired by Christian Bérard. The result is a space that feels instantly architectural and whimsical, with a touch of Castaing's leopard print carpeting to tie it all together.
A Playful Palette
As you move through the space, the vibrant lime-lacquered room is a delightful surprise, offering a shot of pure energy. Here, Eerdmans has created a vibrant gallery for her ever-changing inventory of antiques and art. The room is defined by its glossy walls and soft furnishings, including tasseled shades and monumental palms, creating an atmosphere that is both inviting and inspiring.
A Private Retreat
In the front parlor, a sense of privacy emerges. While visitors may be welcomed in for a glass of Champagne, this space is not for sale. It's a personal retreat, reminiscent of the crown jewel of Colefax and Fowler, Nancy Lancaster's bedsit. The room is a nod to the past, with a touch of Princess Diana's streetwear style, creating an ambiguous yet comforting atmosphere.
The Legacy of Mario Buatta
Eerdmans' work is deeply influenced by her mentor, Mario Buatta, the 'Prince of Chintz.' She wrote a book on him and was by his side when he passed away. Since then, she has become the steward of his estate and legacy, bringing a fresh perspective to his work. Buatta's influence is evident in the room's aubergine lacquer and clover-leaf pouf, but Eerdmans refrains from literal imitation. Instead, she creates atmospheres with a sophisticated set of tools, focusing on the experience of the room rather than the two-dimensional decoration often seen on Instagram.
A Showcase for Talent
Eerdmans' space is more than just a gallery; it's a platform for the artists and craftspeople she represents. Her passion for supporting their talents is evident in every corner of the gallery. As she says, "I do feel connected to Mario's message that a room should be a joyful experience above all." And with her husband's endorsement, it's clear that this space is a true labor of love.
A Work in Progress
As we conclude our tour of Eerdmans' gallery, it's evident that this project is a work in progress, with the garden recently planted and new exhibitions on the horizon. Eerdmans' approach to design is one of constant evolution, taking inspiration from the past while creating something uniquely her own. It's a space that invites visitors to step into a world of their favorite things, where time and space are irrelevant, and joy is the ultimate goal.
